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Nice psychological analysis! 🙂 for an unknown reason the ‘womb envy’ made me smile…it’s not often mentioned and I think it should- yes, men do have womb envy. Nevertheless, I’ll keep watching Tatami Galaxy, the only anime I’ll follow this season. It is an animation, not a sildeshow after all, but, for me, presence of such artworks makes an anime especially enjoyable and memorable. While the content and animation can be excellent, there are relatively few poignant stand-alone cells. This is not the case with Tatami Galaxy and other Yuasa’s works. In the first two seasons of of SZS and even some later SHAFT works, you can clearly see how meticulously each frame is designed – almost perfect. It is nice to watch, but I just couldn’t resist comparing it to Sayonara Zetsubou Sensei (SZS). He employs a very wide variety of techniques, especially frequently using acute angles, track ups/backs, and first person perspective.

Of course, what makes this show shine is Yuasa’s directing. Also I am glad that Maaya Sakamoto and Michiru Oshima are involved. The character design and the entire atmosphere that blends realistic images with surreal settings are very well translated from the art of Yuusuke Nakamura to an animation. The plot is not very interesting, and fast monotonous narration can be somewhat annoying, but some people might identify with the protagonist.

A Castella filled with freshly manufactured Accela leads to an accelerated insight, one which would take about 20 years of psychodynamic therapy. Luckily, a psychologist with a prominent chin offers a solution to his problem: freshman engineering student. The problem is that he does not realize that all men have womb envy, and the only path to happiness lies in creation rather than destruction. Manifestation of his id, named Ozu, further entangles the poor protagonist in a vicious cycle. Moreover, he utilizes other defense mechanisms to deal with his trauma. The patient presents with narcissistic rage, displacing unsatisfaction with himself to other people who are happily in love. isolation crisis and engages in maladaptive coping due to his social anxiety. The protagonist goes through intimacy vs. Color design: Kunio Tsujita (Boys Over Flowers, Clannad, Kalaido Star, Sailor Moon, Saint Saiya, Superflat Monogram, Xenosaga).Chief Animation Director: Nobutaka Ito (Key Animator/Animation Director: Ah My Goddess The Movie, Cat Soup, Cowboy Bebop, Ghost in the Shell: Innocence, Kaiba, Kemonozume, Mind Game, Nodame Cantabile, Samurai Champloo, Steamboy, Summer Wars).Art Director: Shinichi Uehara (Backgrounds/Art Director: Aoi Bungaku, BECK, Millenium Actress, Ninja Scroll, Paprika, Paradise Kiss, Paranoia Agent).Original Character Design: Yūsuke Nakamura.Music: Michiru Oshima (Fullmetal Alchemist, Nabari no Ou, Soranowoto, Xam’d).Director: Masaaki Yuasa (Cat Soup, Happy Machine, Kaiba, Kemonozume, Mind Game).This bizarre meeting sends the young man hurtling through a horrifying flashback to his not-so-glorious college days when the influence of a cruel new friend turned him from a hopeless romantic into a mischievous “black cupid.” Staff Plot Summary: When a college dropout stops for a late night bite at a mysterious ramen stand, he crosses paths with a self-proclaimed deity of matrimony. Tatami Galaxy 1 (四畳半神話大系, Yojō-Han Shinwa Taikei)